Jon Oliva, the voice of Savatage

By Bob Hale

Interview with Jon Oliva from Savatage Legion fanzine '84
Contributed by: Erikk Draven
HTML by: Ellen Bakvis


Hi Jon ! Glad you could find the time for this interview. Things must be getting a little hectic about now. Tell me, what's going on ?
Right now we are working on the new material for our album we'll be doing later this year for Atlantic Records. We're spending a lot more time on these songs than we did on the first two records. We really kinda rushed through those first sessions with PAR.

How rushed was it ?
It really was rushed. We only had two weeks to write some of the stuff and then a week or so to work them over before we recorded. The amount of time we spent in the studio wasn't much either. In fact, on the average we only have four hours in each song including the mixdown. We were rather surprised they came out so well.

What are your favorite songs on 'Sirens'?
Hey I like them all ! I guess my real favorites would have to be 'Holocaust' and 'Out on the streets'.

Want to talk about the production on the L.P ?
Did you say production ? What production ?

You don't care for the production ?
Let's just say that we had hoped for something a little better. You know it really doesn't sound that bad but it sure doesn't sound that great either. We all have a complaint or two about the whole package but that's over and done with and we'd like to move to newer things.

I know you've been asked this before, but I gotta know. Is Savatage going to come out with a more commercial sound ?
You're right, I have been asked this alot before. Maybe I can clear it up for you now. I feel that Savatage has been and will always be a band capable of doing alot of different styles of music. I mean look at the difference between ' City beneath the Surface' and ' Out on the Streets ', is that night and day or what ? Some people will say we have an identity crisis but we say you'll never know what to expect that first time you play a new record of ours. I like all the new songs we're doing. I wouldn't play them if they were wimpy. I like heavy music and the response from Atlantic has been very positive towards them too. We had thought that some of the new stuff would be beyond their realm of music, I'll have to say we were pleasantly surprised, Atlantic doesn't want us to wimp out, but they do want us to become more accessible. Maybe some of our new songs may be in the commercial vein but you have to have a few songs that the radio will play or you're dead. You need a hit to survive. Look at Judas Priest, Kiss, Accept, Twisted Sister and countless other metal bands. Their music isn't wimpy but just more accessible. They retain their identity and make their label happy at the same time. All the bigger bands have variety. That's what gives them the accessibility they need.

Is that why so many Metal bands never get recognition. Is it their lack of radio tunes ?
That's how we see it. Today, to make it big you've got to have some hits. Alot of Metal bands will never break the U.S. market because of that. In todays world you need radio play and that's a drag because there are alot of great bands out there.

What is Savatage's approach to the U.S. market ?
We're gonna write what we feel, the kind of music that comes from the heart, and then get down on our knees and hope like hell !

Is Savatage a heavy metal band ?
We love metal, we play it, we wear it, we write it, we sleep it, we eat it and listen to it but.....we would rather be a band that plays metal very heavy and very good because we feel we are a band that can play all music very good. Maybe we are a heavy metal band but we don't want to be classified as anything. You know, that really begins to restrict you and we don't want to be restricted. If you listen to our songs you'll find lots of different elements; horror, boy and girl, the reality of life and death, the dangers of drugs and sometimes Satan. When we speak of Satan it's only to warn people of his evil. Personally, I think anybody who walks around and praises Satan is certainly a sick puppy. But that's how I feel. That's what's so great about music. You can voice strong ideas and people will listen to it and say: I don't like what he says but I like the sounds, or I'm glad he said that because now I have another opinion, or I don't give a shit what he says I love the music and the power. Anyway, it's all in the wash and you get to sort it out for yourself. It's the power of the night.

What do you think about Black Metal ?
Let's just say I don't like what it stands for. Satan is nothing to mess with.

Will Rick Derringer produce your next record ?
I don't think so. Rick was sent down to put the demo package together.

Any idea who will be doing the producing ?
Right now nothing has been firmed up, but we did entertain Max Norman for a few days. He loved the band and if the schedules can be worked out he'll be doing the job.

How much music does Criss write ?
Criss writes alot of killer music. I think that if he would write melody and lyrics he would write more than me. Most of his songs are the real heavy ones like 'Holocaust', 'I Believe', 'Sirens'.

What's a typical Jon song ?
'On the Run' , 'Out on the Streets' , 'Rage' .

What about Steve and Keith, do they write ?
At first all the song writing was done by Criss and me. It took thm awhile to get the feel of the band. Keith used to write alot in his other bands and now I'm finding him helping alot with lyrics and arrangements. He adds his parts and comes up with some killer riffs. Steve is also coming out of his shell. He's adding alot of musical and lyrical ideas also. In fact one of the new songs we're working on, Steve wrote all the lyrics and the title and it's great !

Criss is pretty awesome. What's he like ?
He's really quick on the axe. I mean not only fast playing but musically quick. His ideas really formulate fast. I remember when we were just kids just starting to play, I showed him 'Smoke on the Water' and then I hit the road for a year or so with my band. When I came back I took one look at his playing and I threw my guitar away and got him to play with me. I mean talk about taking the bull by the horns, the kid must have been up every night learning. He's got such afeel to his playing.

Does he have any influences ?
Sure, everybody has influences. If you take Blackmore, Rhoads, Page and Van Halen and mix it together you start to get close to his style.

I've heard he's rather moody?
Not really, just a quiet guy who loves to play his guitar.

Steve and Keith really crank it out too !
Steve hits harder than any other drummer I've ever seen. The destruction he submits his drums to everynight is something to see. That's why he's called Dr. Killdrums, it says it all! Keith joined the band about two years ago. We had tried out so many bass players and none of them were what we wanted. We had known Keith for awhile and one day asked him if he would try out for the spot. He played his first gig after only eight rehearsals. They both do their jobs and they do them very well ! It's so important to have stability in a band. That's when the flow starts and once that happens there's no stopping.

When I was in N.Y. I met your manager Bob Zemsky. We had some rather interesting talks. He talked about the 'Pit' and 'Fountain of Youth'. What significance does this have for you ?
Bob, he's pretty crazy. The Pit is where we rehearse. We've been there about six years, I guess it's kinda an inspiration for us. Really the damn building is falling down on us whenever we play!! The Fountain of Youth is about 1000 yards away from the Pit. There is supposed to be proof that it is the actual Fountain of Youth. Who knows, it may hold some mystical power of some sort that makes us write the songs we do! In fact, we've just written a song called ' The Fountain of Youth ' , it's killer! Maybe it's the power of night and maybe it's just nothing.

You mentioned this power before. What is the power of the night ?
The' Power of the Night ' is a song we wrote some time back. It talks about the power we all have and the way we can use that power. Very heavy tune!

Jon, this has been a great interview. Do you want to add anything in closing?
Yeah, party and be cool! See ya !!